Hans Alexander Müller’s wordless publication of 1929, Das Logbuch, has a poetic introduction, but the images don’t tell a story. There is no story arc – just a series of unrelated images in a theoretical sailor’s log book.

Mueller 1939 Self portrait – wood engraving

David Beronä, in the Author’s Note to his book Wordless Books: The Original Graphic Novels, referred to Das Logbuch as an anomaly because it illustrates the story of a sailor’s logbook (as the title implies), but it does not constitute a story.

  • It is a stretch to say this is a story/novel.
  • The artist’s introduction is a poetic description of the artist’s feelings about sailboats and the sea. The images do not follow a comprehensible storyline (i.e., with a beginning/middle/end), nor do they directly relate to anything concrete in the intro.
  • If the pages were scrambled, it would make no difference to the appreciation of the book.
  • The use of “log book” may be helpful in the sense that a sailor can jot entries into a log book but the series of entries do not have to have anything connecting the individual entries.
c. 1945?

Hans Alexander Müller (1888 – 1962), after immigrating to the USA, changed the spelling of his last name to Mueller.

Mueller was a notable 20th-century illustrator, known for his woodcuts and wood engravings. He emigrated to the States from Germany in the late 1930s, where he advanced his career as a freelance artist, illustrating many books, periodicals, signs and more. While studying in Europe, Lynd Ward took lessons from Mueller in the art of wood engraving.

  • Title: Das Logbuch: ein Buch in Holzstichen (The Log Book: a book in wood engravings)
  • Author and Illustrator: Hans Alexander Müller
  • Introduction: Hans Alexander Müller
  • Date of publication: 1929
  • Publisher: Insel – Verlag
  • Place of publication: Leipzig
  • Printer: Text printed by Poeschel & Trepte; the woodcuts were printed by the artist himself on the handpress of the ‘Staatliche Akademie für graphische Künste und Kunstgewerbe’.
  • Copyright: Artist?
  • Dimensions: 22.5 x 16.5 cm
  • slipcase: ?
  • Binding: stitched
  • Language: German titles, etc
  • Paginated: unpaginated
  • Printed: verso and recto, pages are a French fold
  • Edition: limited; printed on thin paper in 200 numbered copies and signed by the artist
  • Printed from the original wood blocks.
  • References:
  • Description: Cream coloured rice paper wrappers in Japanese style (Japanese block binding). Green endpapers with overlapping cream paper with block book stitching. 8 pp. (4 pp. ‘Introduction’), 16 double leaves with 31 woodcuts, 2 pp. (‘Colophon’).
The wording ends, “Dies ist ein Bilderbuch, darum kein Wort mehr.”
(Translated: This is a picture book, therefore not another word.)
This book was produced in an edition of 200 numbered copies.
The woodcuts were hand-printed by the artist himself.
The text was printed by Poeſchel & Trepte in Leipzig.
This is number …….
Printed recto and verso

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