In Vertigo: A Novel in Woodcuts, Ward examines the effects of the Depression, specifically through the lives of three main characters– a girl, a boy, and a rich elderly gentleman following the way their lives cross during the years from 1929 to 1934.

. . This book proved to be the longest of all, not only because of its more complicated story but because I was anxious to make as explicit a statement as possible. To accomplish that I broke down the action into many small steps, using several small blocks to bring the reader in close to a character so that facial expression would register more effectively the emotional response of that character to what was happening, thereby involving the reader’s own emotions more completely. The book was published under the title of Vertigo, which was meant to suggest that the illogic of what was happening all around us in the thirties was enough to set the mind spinning through space and the emotions hurtling from great hope to the depths of despair.


Lynd Ward on Vertigo

Vertigo was published both as a trade edition as well as a limited edition of 1250 copies, numbered and signed.

Limited Edition

I have not seen a copy but have been told it has:

  • a white spine
  • glossy bronze boards
  • slipcase
  • pages are uncut

Trade Edition

  • Publisher: Random House
  • Place of Publication: New York
  • Copyright: Lynd Ward
  • Unpaginated
  • 230 b&w engravings
  • First edition.
  • Octavo [21 cm]
  • Top edge tinted black (some refer to this as “publisher’s top stain”) – some copies look gray but I am not sure if this is just fading
  • dust jacket
  • I have heard there is more than one printing – images of 2nd printing are appreciated – photo credit will be given wn@wordlessnovels.com
Vertigo dust jacket. Photo credit: Books and Bidders
Vertigo in cloth cover
Vertigo in this copy has a gray rather than black top stain.

Colour of cloth cover on Trade edition

The cover is printed cloth with a black (sometimes appears to be a very dark navy) and gold spiral and star-patterned decorations on the boards.

Some dealers say the cover is black, others say blue, and others Navy blue – this may be a function of toning over the years.

The other discussion is whether the blue is the basic colour of the cloth onto which a yellow/gold has been overprinted, OR

is the basic cloth yellow/gold over which the blue has been printed. I favour the latter. I think the blue has been printed over the gold cloth.

Vertigo: detail of the cloth cover.
Vertigo: plain end papers. NOTE the toning around the perimeter.
This would appear to be a reaction to the glued used on the paste down.
Vertigo: half title page
Vertigo: Title page
Vertigo: Copyright page. Logo on the right hand page
is the publisher, Random House Inc.
Vertigo: Chapter heading – The Girl